Paying Publications

In an effort to make it easier for writers to find out how to pitch beer publications and what those outlets pay, NAGBW is working to compile information. This page will be updated as publications share information with us.

Craft Beer & Brewing Magazine
Pitching information

Accepted pitches are very infrequent, but if you can get deeply technical when writing about brewing without losing sight of the story, use sources for original reporting, and cover the beer industry in a serious way—by all means, drop us a line with an idea:

  • Pitches not related directly to the brewing process (say, beer travel or beer culture) will not be considered. 
  • Please don’t waste your time, or ours, with story pitches to justify a press junket. 
  • For our writers who get assignments, we agree in advance to a flat fee that typically works out to about 35 cents/word, and we have paid promptly and reliably upon publication since our first issue in 2014. 
  • Direct pitches to editorial director Jamie Bogner at jbogner@beerandbrewing.com, along with managing editor Joe Stange at jstange@beerandbrewing.com.

Good Beer Hunting
Style guide and pitching information

The GBH Style Guide goes beyond basic grammar stuff (though there’s some of that, too), opting instead to define what it is that we do, why we do it, and how to do it every time. This is a living document which will evolve as GBH—and GBH’s style—evolves.

Rates:

  • Features – $700
  • Mini-features – $325
  • Podcast episode – $250
  • One-off Sightlines primary sources, interviewed – $200
  • One-off Sightlines secondary source recap – $125
  • Blog posts (for this with GBH blogs) – $100
  • B-Roll – $60

Ferment Magazine
Pitching information

UK’s most-read craft beer magazine, in print monthly. Stories cover beer, culture and adventure, bringing readers “the best beery experiences from all over the world.” Emphasis on finding writers who identify as BIPOC, LGBTQIA+ or have often been left out of beer conversations.

  • To pitch, send a one-paragraph synopsis of your story to ferment@beer52.com
  • Ferment cannot accept advertorials or listicles.
  • Pitches should have a strong focus on people and stories – brewery profiles and beer reviews are less likely to be accepted.
  • Rate: 22p per word (30 cents USD)

InsideHook

A New York-based lifestyle publication, InsideHook does a fair amount of coverage of spirits, beer, and wine. Editorial staff is open to interesting stories/profiles, trends, and explainers (but not for obvious subjects).

  • To pitch, email Kirk Miller at kirk@insidehook.com (who may reply or share your idea with another editor, depending on angle).
  • Please put “pitch” in your subject line and introduce yourself (where you’ve been published, areas of interest) and explain how you would go about accomplishing your feature — who you’d talk to, what timeframe you need, etc.
  • Rates vary by topic, research/interviews required, etc., but consider $300 a starting point for a first-time contributor. Articles are about 600-1,000 words.

On Tap Magazine

On Tap Magazine is South Africa’s only beer mag, a quarterly print publication that’s distributed via brewery taprooms, airport lounges, homebrew stores and directly to subscribers. We are always looking for content from writers around the world. 

  • We include one feature focusing on an international beer scene in each issue (could cover a city or two or a larger region). 
  • We also welcome contributions to our Against the Grain section (covering other beverages) as well and general features – profiles, exciting trends, some technical content. 
  • Content must to be relevant to our audience, so reviews of beers they can’t get here for example will not work. 

Email Lucy Corne at lucy@ontapmag.co.za for full contributor guidelines. Due to the fragile South African economy, our rates are not on a par with international magazines, but we do accept reprints provided that the writer retains copyright of the article and they don’t mind making small tweaks to make the article in line with house style.

Pellicle
Style guide and pitching information

  • We presently pay £0.20p per word, to the nearest 100 words up to a maximum of £500 per piece (excluding extras should the writer also provide photography or illustrations.)
  • Q&A’s are paid at a fixed rate of £250 per piece. In addition, if a writer is able to provide their own photography (and we approve its use) for any piece we offer an additional £75 on top of the existing fee. 
  • All invoices are paid in UK pounds sterling. International invoices are processed using a service called Transferwise, which will pay you in your native currency based on the current exchange rate. 

Rates to be updated starting May 1, 2022:

  • Regular Features — £0.23p/ word (rounded to the nearest 100 words)
  • Set Rate Features (Q&A’s, Recipes, etc) — £300
  • Photography — £200/commission
  • Illustration — £200/header and one spot (additional spots £25 each)

Porch Drinking
Style guide and pitching information

PorchDrinking.com is always seeking thoughtful pitches on industry trends, stories on diversity, mental health awareness within the industry, pop culture in relation to the industry as well as long-form stories. While we are still working on a limited budget and can’t pay our writers on a consistent basis, we do on occasion allocate pay for more extensive pieces relating to these listed topics.

PUNCH
Pitching information

Stories We Are Looking For
We’re interested in exploring drinking culture from all angles including its connection to tradition, place, people and innovation. We have a great fondness for unusual characters, fringe movements, unsung traditions and overlooked haunts reported from the farthest flung corners of the world. Stories should be narrative-driven and thoroughly reported.

What Does a PUNCH Pitch Look Like?
A well-written paragraph or two that conveys your point of view and why you are the right person to write this story. Please tell us what your angle is, who you plan to talk to and where you plan to go. We appreciate reporters who report. Pre-reporting is important too; tell us what the thing is about before you pitch. If you’re new to us, please send clips that best illustrate the kind of writing you want to do for PUNCH.

Where to Send Pitches
The best way to reach us is by emailing editorial@punchdrink.com. This will ensure your pitch reaches the entirety of our editorial team. Please include “pitch” in the subject line so we don’t miss it. No attachments.

Salon (Food section)
Style guide and pitching information

How to pitch: Consider your pitch as your first writing sample. It should have a lede, a sense of story structure, and enough background information to answer “who, what, where, when and why?” If applicable, include a reporting plan — who you envision your characters or sources will be, what scenes you envision and what kind of access you have. As long as the pitches are comprehensive, they don’t have to be incredibly long. A few paragraphs will do. Please do not send full stories in lieu of a pitch.

Pitches for Salon’s food vertical can be emailed to astevens@salon.com or food@salon.com.

Rates and Compensation
Payment varies depending on a story’s length, the amount of reporting required, and the format. Rates start at $125 and the majority of commissioned articles are between 600 to 1,200 words. Invoices are filed upon publication and you should receive payment within 30 days, but usually within two weeks.

SOMM TV Magazine
Pitching information

We want voices who can relay consumer and trade stories across the food and drink industries. Generally, we aim to cover all things related to wine, spirits, beer, food, and travel. From historical deep dives to current trends to change-makers and innovators.

Keep in mind:

  • Is it a reported story?
  • Is the topic current?
  • Want to write an educational piece?
  • What about seasonal content?

How To Pitch:

  • Please send us an email with your story idea explaining why it’s exciting and how you’re going to convey it.
  • Include the format or style of the article. i.e. feature story, interview q&a, food pairing/recipe, listicle etc.
  • Don’t forget to tell us who you are, including any relevant industry experience or previous writing (links are encouraged).
  • Email your pitch to editors@sommtv.com

VinePair
Style guide and pitching information

How to pitch:

  • Introduction: In an email, tell us who you are, and explain your relevant experience. Please include clips or links to past coverage of this topic or similar. If you have not been published: Show us something that demonstrates your writing ability, such as a blog post or essay.
  • Idea: Tell us why this story will be interesting to our readership and/or why this is important for us to cover right now: How does this connect with our previous coverage and/or an emerging trend, event, or issue for wine, beer, and spirits enthusiasts?

Beyond Beer

The world of beer and beverage alcohol is so much more than what’s in a can, bottle, or your glass. It intersects with politics, labor, climate, agriculture, and so much more. The stories you can find from the humans who make up these industries and their fans can fill the real or digital pages of all sorts of publications. If you want to take your unique pitches to places outside trade media, here are some places to start.

Clever 
Style guide and pitching information

Clever is a digital extension of Architectural Digest that covers design advice for real life in the form of actionable service. Our content is packaged in a way that comes across as aspirational, accessible, and attainable. We have four sections within the vertical—Decoration, Renovation, Conversation, and Shopping.

For consideration, all pitches should be submitted directly to Sydney_Gore@condenast.com (trend reports + evergreen service features + shopping stories) or Zoe_Sessums@condenast.com (home tours + renovation) with a subject along the lines of “PITCH FOR CLEVER” in the following format:

  • An introduction: If you’re reaching out for the first time, please provide a short bio and links to some of your published clips. We don’t need a full-on cover letter, but it’s never a bad idea to show us your portfolio or website so we can review your credentials. Pull up and tell us what you bring to the table!
  • A working headline: Give us a sense of the angle and tone that you have in mind for your story. Is it a roundup? An explainer? A how-to? An interview? Let us know!
  • A brief description: Be specific about what the story will cover, how it will be framed, and what questions you’re aiming to answer. Tell us about your vision for the story and how you intend to execute it. Please keep it brief, no more than a paragraph or less.
  • A list of sources: Any type of reported piece will require speaking to relevant experts on the subject so please come prepared with who you specifically have in mind. Ideally, your group of sources are diverse and inclusive.
  • Time sensitivity: Note if the story is timely so we can prioritize it accordingly.
  • Images: Attach any relevant photos that would correspond with the assignment. (Dropbox link or Google Drive is preferred)

Rate: start at $200 and the majority of commissioned stories hit the 700 word mark unless otherwise specified. 

The Objective 
Pitch information

The Objective is a nonprofit newsroom that publishes articles on communities that journalism in the United States have typically ignored. They accept pitches for pieces that cover “marginalized journalists and audiences in American newsrooms.” Emails pitches should include “Pitch: [Proposed Headline]” in the subject line. Please also include:

  • What: What is your piece about? Keep us interested, but keep the pitch short.
  • Who: Who do you expect to interview (if anyone)?
  • When: How long do you expect writing and interviews to take? When can you send us a draft?
  • Why: Why are you the best person to write this piece? And why does it fit at The Objective?
  • The Fixings: How many words do you expect your piece to be? Who do you expect to interview (if anyone)? Please also include a short bio and (a maximum of three) relevant examples of previous work.

Rate: $200 to $600 per article

Prism
Pitching information

Prism is a BIPOC-led news outlet that covers voting rights, electoral justice, criminal justice, racial justice, workers’ rights, immigration, the environment, gender and LGBTQIA+ issues, and more. They actively look for BIPOC reporters and op-ed writers who are interested in covering the news in a way that centers these communities and other marginalized people. Particular interest in coverage around education, housing, disability, climate change (esp. from Indigenous folks), reproductive rights and justice, unionization efforts/workers’ rights, incarceration/abolition, and more. 

  • Email pitches to pitch@prismreports.org with the word “Pitch” in the subject line. Include links to previously published works if you have them, but don’t worry if you don’t—if you don’t have published clips to share, send writing samples that you feel best represent your voice and writing style. 
  • Do not send drafts of a proposed article, whether in part or in full, for consideration. 

Rate: $.40 per word

Wired
Style guide and pitching information

There are two main areas where we assign stories to contributors from outside our staff: features and essays (for our Ideas section). We also assign a smaller number of freelance stories for our business, science, and service sections. The vast majority of the features we publish are narratives. Which is to say, for best results pitch us a tale you’re going to tell, not a topic you want to explore.

  • For any feature pitch, give us a sentence or two about the sort of work you’ve done, and please include links to other stories, especially long-form narrative pieces.
  • A pitch needs to have enough detail to intrigue us, but not TMI. For a feature, 500 to 700 words is a good range. For Ideas, 200 to 300.

Rates:

  • Short, online-only content starts at $500 and rises with time commitment and reporting intensity.
  • Larger and print stories scale based on story length, time involved, and intensity of the reporting and writing involved. These story fees now start at about $2,500 and rise from there.